The Copper show! (call to enter)

Hi everyone-
About a month ago I was asking for people to come up with a list of artists who work primarily in copper- Here's the reason why! I wanted to get people to start thinking about this upcoming show.
It will be one of the SNAG (Society of North American Goldsmiths) sponsored shows that will be held in Phoenix next May during the SNAG conference.

I encourage you all to submit your amazing creations that feature copper as it's main (75%) material.
The SNAG shows are an excellent way to get exposure within our field and the surrounding community. Mesa arts center (where the show will be held) is already a hub of cultural activity in the greater Phoenix area, so we are thrilled that they will be a huge part of the conference- they will be holding multiple exhibitions at their beautiful venue- and they throw magnificent openings!

Here is the text of the Call to Enter: please feel free to share this with any copper artists/ groups that you think may be interested. We are thrilled to have master Vessel maker/copper smith David Huang as the juror, and we are looking forward to a magnificent show!
thanks in advance for your entries -
Maureen BZ (+ Danielle Embry and Charity Hall- exhibitions committee for SNAG Phoenix 2012)

CU|29: Contemporary Work in Copper
Call for Entries
In conjunction with the Society of North American Goldsmith's (SNAG) 2012 Conference in
Phoenix, Arizona, Mesa Art Center is presenting the exhibition, CU|29: Contemporary Work
in Copperfrom April 6 to August 12, 2012.  Copper, our 29th element, is prized for its excellent
malleability, conductivity, and ductility. Arizona is the leading copper-producing state in the
U.S.
This juried exhibition will feature contemporary artwork that is made primarily of copper. 
In addition to contemporary work, the exhibition will highlight exquisite copper vessels created
in Santa Clara, Mexico borrowed from several private collections throughout the region. Mesa
Contemporary Arts will be showcasing five exhibitions during SNAG and will be a destination
spot during the Friday night gallery crawl.

Juror: David Huang is a renowned metalsmith known for his raised copper vessels. Widely
exhibited throughout the U.S, David Huang’s work is in many private collections and museum
collections, including the Muskegon Museum of Art and the Kamm Teapot Collection. 
Publications include 500 Metal Vessels –Contemporary Explorations of Containmentby Lark
Books (2007) and “Inquire Within: The Holloware of David Huang” , published in Metalsmith
Magazine(2008). He currently lives and maintains a studio in western Michigan.

Eligibility: Open to any artist working in copper. Pieces submitted for consideration must be
original in design and composed of at least 75% copper. Artwork may include but is not limited
to jewelry, vessels, sculpture, and wall pieces.

Submissions: Artists may submit up to 3 artworks for consideration for a $25 fee. Entries must
be submitted as digital images in JPEG format on a CD. Image resolution must be 200 dpi, with
6” as the longest dimension.  Digital images should be named as follows:
LastName.EntryNumber.jpg  (EX: Doe.1.jpg) Detail shots should be labeled as follows.
LastName.EntryNumber a.jpg (EX: Doe1a.jpg) Limit detail shots to 1 per piece.  Also, include a
PDF document on the CD that contains Artist contact information (name, address, phone
number, email) AND the following information for each piece:
Artist Name
Entry Number
   29
Cu
      63.55
Title
Dimensions
Materials
Label this file as: LastName.pdf  (EX: Doe.pdf)
Submissions and the $25 entry fee, payable to Arizona Designer Craftsmen, must be
received by November 18, 2011.

Mail entries to:
SNAG Exhibitions Committee
c/o Charity Hall
P.O. Box 3615
Tucson, AZ 85722

Transportation/Shipping:Artists are responsible for transportation of work to Mesa
Contemporary Arts. Artworks may be hand-delivered to MCA or shipped to arrive on or before 5
pm March 16, 2012. Work being shipped must be packed in a re-usable shipping container.
Artists are responsible for checking with their shipper regarding insurance and correct packing
procedures. Mesa Contemporary Arts will not be responsible for breakage because of incorrect
packing or insufficient container. Artists will be notified of work that arrives in damaged
condition. Cost of shipping artwork to the exhibition is the artist’s responsibility; MCA will pay
for return shipping and insurance of artwork within the contiguous United States, via standard
UPS only. If any other carriers are requested for the return, the artist will be responsible for the
cost and scheduling.

Liability:Insurance will be carried by the City of Mesa on all works for the duration of the show
(April 6 to August 12, 2012).  The usual exclusions will apply for loss or damage which occur by
any event beyond the control of the City.

Agreement:The artist agrees to maintain entry for the duration of the exhibition. Submission of
an entry constitutes permission to photograph work for publicity and educational purposes. All
entries must be of original design and personal execution.  Artwork may be for sale atthe artist’s
discretion.  A 25% commission will be retained by MCA on all sales.

Calendar:
November 18, 2011 Submissions must be received
January 15, 2012Artists will be notified of acceptance/denial via email
March 16, 2012Work must arrive at the Mesa Contemporary Arts by 5 pm
May 25, 2012Member’sVIP Reception: 6-7 pm;Public Reception: 7-9 pm
April 6-August 12, 2012 Exhibition Dates. Work will be shipped out for return during
the week of August 27th, 2012.

Questionsmay be directed to SNAG2012exhibitions@gmail.com

Arcosanti

A few weekends ago we took a trip to Arcosanti Arizona. Arcosanti is a remarkable living laboratory project that was conceived by Italian architect and sculptor Paolo Soleri (b 1919). In this blog post I will give a short review of our stay and point anyone interested to the Arcosanti website for information about this inspiring project.

A view of the main building holding the Bakery, Cafe, Gallery and Reception area

The most simple way to describe Arcosanti would be that it is an experimental city being constructed by volunteers from around the world (most often architects, artists and free thinkers). It is currently housing between 20-100 residents, who live and work there year round as volunteers and students of the philosophies of Arcology http://www.arcosanti.org/theory/arcology/main.html .The Website for Arcosanti will also tell you about their beautiful silt cast bells and has a detailed schedule of their exciting performances and events .

a selection of bronze silt cast bells available in the shop

A short history:
 "In 1970, the Cosanti Foundation began building Arcosanti, an experimental town in the high desert of Arizona, 70 miles north of metropolitan Phoenix. When complete, Arcosanti will house 5000 people, demonstrating ways to improve urban conditions and lessen our destructive impact on the earth. Its large, compact structures and large-scale solar greenhouses will occupy only 25 acres of a 4060 acre land preserve, keeping the natural countryside in close proximity to urban dwellers." (from the Arcosanti Website http://www.arcosanti.org)

We decided to visit Arcosanti after hearing about the incredible performances that are held there on a regular basis.Not being a huge fan of crowds I thought it would be interesting to go there during a "down time"- in the heat of the summer- to simply experience the setting (and to "cambiare aria" (change air) before settling into our school routine for the year. )

Daisy by the pool. Note the "pod like" artist studio with circle windows in the distance

I think it was a good choice, because we had a peaceful few days, however, the heat was quite oppressive so I'm thinking that we would not go in August again. I really have a hard time dealing with extreme heat (though I live in Arizona) so I did more reading than hiking. (Cosmo and his Dad hiked in the early mornings).

There is also a pool on site that we very much enjoyed at the end of the long hot days. I look forward to going back in the cooler months to experience the trails and landscape more completely. I could even see going by myself for a few days in order to retreat and work on a project.

MBZ in the "vaults" - the largest performance/meeting space at Arcosanti

One idea I have is for interested participants of next year's SNAG (Society of North American Goldsmiths) conference to take a field trip to Arcosanti to observe their foundry and daily silt cast bell production. At the very least, I would recommend a visit to the Cosanti foundation (closer to the conference, in Scottsdale) which is Paolo Soleri's home and sculpture studio. (Cosanti is also open to the public and has daily tours.)

Arcosanti Arizona is located about 35 miles east of Prescott and a little over an hour north of Phoenix. (It took us about 3 1/2 hours to drive there from Tucson) For more information see http://arcosanti.org
and you can also find the Arcosanti project on Facebook at https://www.facebook.com/profile.php?id=1069939853 . 

June's Box a Month

Here are a few images of the latest in my "Box a Month" series 2011. 

I have given myself a personal challenge to create a handmade metal box or container every month this year- It is a challenge I created for myself to stretch my metalsmithing and design skills to a different (larger than jewelry) scale. I also am keeping my pewtersmithing skills sharp by re-visiting my pewter bench on a monthly basis. I'm enjoying the challenge of working bigger, and am hoping to continue this project throughout the year. My wish would be to have a show that exhibits my box a month collection at the end of the year.

"Octo Krakken Portal Box" June 2011
It's hand fabricated in pewter with a domed and patinaed copper hinged lid. and resin coated pewter tentacles
This piece has a hidden compartment inside the box (a box within a box) to hold secret treasures/ valuables.
Measurements are 4 1/2"x 5 1/2" round

opening the portal

This container has a hidden "Box within a box" compartment, shown here- I always love to make a little surprise in these pieces- I feel that it adds a special-ness to the object (similar to how cool it was to find a hotwheels car with doors that open...you know that feeling, right?) here are a few images that show the hidden compartment...

Oh, and one more thing about this piece...I developed a latex allergy halfway through completing this box. I found out about it after spending 20 minutes with latex gloves on (while working with the resins on the box's tentacles). I worked those 20 minutes- closed my studio and went to bed- when I woke up the next morning my hands were bright res and blistered! I've heard of allergies "coming out of nowhere"- and now I believe it!

Anyhow- here's a pic of my hands (and the bottom of the box) one week after the initial reaction...Yikes!   I'm happy to say that my hands are now looking much better- 10 days after the fact. I've thrown out my latex gloves, bought some nitril gloves instead, and am looking into allergy websites to get information on what I should now avoid because of this new reaction.

I'm learning something new all the time! All's well that end's well-
ciao for now- Maureen

PS- yes, I will be listing these box a month pieces in my etsy shop soon- I will announce their posting in my Facebook fan page at http://www.facebook.com/?ref=home#!/cosmosmoon
Come join Cosmo's Moon fans by clicking "like" on the Facebook page, where I reveal sales, open studios, Etsy discounts and coupon codes and introduce "sneak peeks" of my latest designs!

Taking risks

next weekend I'm one of the participants in the Society of North American Goldsmith's trunk show-
And I've been wondering how much experimental work I should be bringing to the trunk show-

I'll bring my one of a kind work, which is interesting and "sale-able" but the multi media stuff is pretty risky.....and I love it! in fact- I'm really feeling a move away from my more traditional metalsmithing work towards my more eclectic sculptural pieces.

Hey, I figure if I don't show it at the SNAG conference (which will be loaded with creative people with developed aesthetics) where would I consider showing it? It's kind of a leap- but I'm going to go for it- at the very least I'll be the girl with the crazy stuff on her table....(and I'm sure I won't be the only one)
Safe schmafe, I'm laying it on the line at the:
SNAG Member Trunk Show and Sale
at the Westin, Seattle
1900 5th Avenue, Seattle, WA
May 29th from 3PM until 5PM
in conjunction with the 2011 SNAG Conference - showroom location off main lobby

deadlines, good bad and ugly.

 Well, not really bad..

There are still a couple of days left for a few important deadlines-

one, we in the US know is that *taxes* thing (which is actually due on the 18th this year)

another thing you may know about is the deadline for VIDEO submissions to the SNAG Seattle (click here for more info)...which has had a DEADLINE EXTENSION until April 29th (Yay!) 

and finally-...--
the deadline which I know you are all working on (right?) is for Exhibitions proposals for the SNAG Phoenix 2012 Conference....."the Heat is On"
and that one is the most pressing, due on APRIL 15th!  Friday! 

****find out more about submitting proposals at the PDF link found HERE, under Phoenix conference**** please submit proposals! I'd love to have Metalsmiths Unite represent in Phoenix- my home state!!

(**ps, full disclosure, I'm on the exhibitions committee for the Phoenix conference)

check out the fabulous brand spanking new logo for SNAG Phoenix!

isn't that a super cool logo? or, is it Hot?

:-) ciao- Maureen

Muse of the North

leather bracelets 201013
Originally uploaded by cosmosmoonjewelry

every once in a while I get the urge to work in Leather.
Lucky for me, I live in a town that has a good leather supplier (the leather factory/Tandy leather) so I have fast access to diverse tools and supplies and beautiful supple leathers.

this is one of the leather bracelets I made this spring. I love pairing the softness of leather with the solid structure of handmade metal elements. I think my love of leather originates from my years of working with horses as a youth.

I was a horse obsessed kid- ask anyone who I went to school with- they'll roll their eyes and agree- the only other thing I was ever really excited about was making things- Art, industrial arts and the like.
when I work with leather I feel a connection to my horse loving roots- I feel the pull of my Irish ancestors, and the soft muzzles of all the horses I have had the privilege to encounter.

This bracelet I made when it was still quite cool here in Tucson- cool meaning that I didn't have to have the A/C on while in my studio-

Deerskin, white and brown leather, brass heishi and sterling 

metal elements with turquoise and coral chip inlays 

This piece comes from a different muse- She was singing her song of encouragement from the northern winds. I imagined her as an old Eskimo woman, wintering with expertise in the North- calling her enchantments to nature, and encouraging my leather working mania in a soft, wise song.

I hope I meet her again.

Ring a day - inspired by you

Tell me your ring size! I'm looking for inspirations for the ring a day project- and I'd love to design a piece in your honor.

These will be fast and fun- I will take inspiration from what I think I know about you- and I will post an image of the piece here on my blog when it is done (and on your Facebook page if we are connected through Facebook)

I cannot promise that I will get to everyone-(but I'll try) I will be picking the names at random during the duration of my ring a day year (2010) . I make rings for this project during the weekdays only  and I am currently on ring #88.

So...what do you say? :-) let's make some rings!

gift horse

Here's an artifact from my past
and the time I spent in Italy-
a horse tooth. I found this horse tooth in the pasture where my polish warmblood mare Schilla spent her summers.

I've always cherished this find and look back on that time in my life with mixed emotions. Bittersweet - as it was the last period of time when I was able to spend hours at the stable every day.

My daily riding came to an end 
In 1998, after a dramatic bout with a burst appendix (and a close touch by my mortality)
With a week long stay in an Italian hospital (one where Da Vinci did his anatomy explorations) and many weeks of recovery at home I had time to take a constructive look at my life. I had to decide which direction I wanted to take it. I had to make a decision between art and horses.

After much drama, (including a shouting match with a fascist farmer).. I chose art.

I drove away from the barn that day with all of my tack and horse gear. I still remember in vivid detail the day when I settled my saddles on the saddle rack in our storage area -in a loft storage space at our Florence home...  they remain still- waiting for me to come back and re-claim their use. Last month, my husband came back from a short trip in Italy (for business) and he brought back one of my bridles. It hangs in my studio today. I didn't clean it before I packed it up all those years ago- so if I look real hard, I can still see some remainders of my sweet mare on the leather.

this is a picture I took of Schilla one warm summer day,

lolling around in the pasture of olive trees and wildflowers

I look forward to the day when I will be able to welcome horses back into my life and find the balance between my two passions. I think it is going to be soon.
ciao- MBZ

Finishing those odds and ends

#21 /365 rad "castle" ring mosaic
Originally uploaded by cosmosmoonjewelry

Here's an example of one of my new rings I've made for the ring a day project- Made of oxidized sterling silver and 18k yellow gold.

Yes, it is a complex piece- something that I really love to do, work in a dense manner- I made it in stages........

the tubes I rolled and put together as a collection a few years ago-(I went on a big tube making kick) and the ring I finished in a day-

This is the story with many of my ring a day pieces....I am simply "Finishing" work that I have set aside...you know, those pieces that you just can't seem to make work, and you don't want to send them to refining....

So I guess you could say this ring a day project has me re-purposing some of my work- I must admit, it's pretty satisfying to find homes for these odds and ends!

nuff said- I'm off to the studio now for a FULL DAY of studio work- Yippee! ciao- Maureen

Interviews up at Metalsmiths Unite! blog

Just a note to let you know that I am now publishing short interviews of metalsmiths of all shapes sizes and skills on the Metalsmiths Unite! Blog...

So far I've posted my interview, one from my Finnish Metalsmith friend Erkki Kokko, fellow metalsmithing mamma Julie Sanford, the fabulous Harriete Estel Berman, AZ goldsmith, teacher and friend Michael David Sturlin , and the latest interview with British master goldsmith James Miller-


lots of talent there! and more to come....
so drop by, have a good read and enjoy the incredible artwork! Metalsmiths Unite!
ciao- MBZ

Gifts for the Metalsmith

Gifts for the Metalsmith

As holidays are coming up, I have been thinking about gifts.

Every year my husband struggles to figure out what he wants to get me for a gift-
he is baffled, as I really do not need anything traditionally girly..
and he knows what kind of reaction he would get if
he hung up his brain and went to Kay Jewelers
to get me a (yikes) heart solitaire locket
or some other commercial crapola..

Metalsmiths have lots of hammers, so you can guess what the
outcome would be...something would get ...forged. :-)

So I was thinking of helping all of our significant others, giving them a sort of master list to look at for Metalsmith Gifts... and I'd love to have your input! I'll gather a list of our wishes, and post them on this blog later in December- (and I'll announce it on the Metalsmiths Unite! facebook page)
Both practical things like tools / books and ideological things like world peace are welcome on this list

I'll give it a start-

1. world peace/ the end of hunger
2. really good hand cream
   
3. a cool apron for the shop
4. a bench mounted band saw
5. a coupon for 100 solitary hours at my bench

I could go on and on...but I'll let You have your turn- to add to the wish list simply leave a comment on this blog, or if you want to do it privately you can message me on Facebook and I'll cut and paste it (anonymously) to the master list.
then..
I will publish the list in December- and will announce it on Facebook -
Have fun with this,( I look forward to seeing the end result.)
happy 'smithing everyone!
ciao- Maureen BZ

Flying Solo- quitting my Day job

let’s see, what have I been up to lately?
Things are going well here- I have started to upgrade my studio (and drain my bank account) so that I can teach small workshops there (3-4 students). More info about workshops and teaching will be posted soon- I plan on moving into this new realm starting next year...

I am also getting prepared for an open studio event, an art show, and a holiday sale: all being held between now and Dec 15th.

In my studio I've been playing with fabricating and casting pewter- Also... I'm working on a collection of new bracelets and pendants in sterling and mixed metals-

And at home I have been getting our gardens ready for the arrival of winter and the onslaught of winter visitors....

also also also!

With all of this on my plate, and with the prospects of many other opportunities and responsibilities I decided that I had to make a decision on how I was spending my time- and my conclusion was that I needed to have more focus on my own business during the weekdays, so that I could keep my weekends free to be with my family...so.....

Last week I gave notice to my goldsmithing job at Krikawa Jewelry Design- I am working there until Christmas break- after which I will be there only as an emergency goldsmith (if they get backed up on their orders).

It was a difficult decision to quit, because I really love the work environment there and the people as well- However, I found that I was not able to focus on the opportunities that have been coming my way....I simply needed to clear my desk and work on my own projects. Thankfully the owner of the design company that I worked for is a friend of mine and completely understands my need to go solo.:-)

I’m looking at this time as a period of accepting challenges- I know there will be times when I need to take a bigger jump, and times when I will feel defeated or victorious-
I believe this is a turning point for me- I feel the support from my family and my friends and contacts in the “real” world and online and I’m ready to let go of the edge!

pewter memory boxes

urn rip fullon front1
Originally uploaded by cosmosmoonjewelry

My newest project is creating hand fabricated pewter memory boxes. They are intended as urns or memorial pieces for beloved pets who have crossed "the rainbow bridge".

This particular box I created for the "Dia de los Muertos" show at Obsidian gallery, Tucson AZ. It is a bed-like structure with a headboard that resembles the arch of the virgin of Guadalupe (which is so prevalent here in the southwest) there is a lotus flower as a candle holder (candle representing eternal flame/soul) and the top section comes off, revealing a small compartment below, to store a small amount of ashes/photos/id tags/kibble/notes and wishes for the departed animal companion.

Metalsmithing's New look

Have you seen SNAG's  new Metalsmith Magazine format?      

(if you are asking what SNAG is click here)

it has been re-designed , with new content and easier to read typeface. 
 
I must say, I have been quite vocally critical in the past of the magazine, 
but I am honestly happy with the new look and content!
 
why the change of heart? (you may ask.....)
 
I've done a lot of thinking on this subject for a while. 
I do have a great interest in the future of SNAG and metalsmithing, 
so the magazine’s content always has a deep impact on me. (such a sensitive artist...)
 
I had felt for a while that “Metalsmith” was really the voice of the organization, 
so when I saw last year’s Exhibition in Print (EIP) I was concerned that SNAG was lost to me, 
and I pondered if it was relevant to me, or many of my peers.
 

 
coming to a conclusive opinion on the Exhibition in Print was a struggle for me, because I also have a deep appreciation for the artistic process.
 I know the import of pushing the envelope, and furthermore I believe that part of pushing the envelope usually means creating a visceral reaction. 
It's just the nature of the beast. I think that last year’s EIP succeeded in that aspect. (Laughing a bit while I type that).
 

 
I think I just got jangled more than anything, (and I'm sorry if my response was too harsh) 
which I believe is what many of the piece’s that were displayed were meant to do. 
So, upon reflection, I now think that the issue was successful, even if I didn’t particularly relish it’s effect.
 

 
ok, so about the new Metalsmith Format,  I feel I must share my analogy:
 

 
Before the re-design, I would read Metalsmith like I was taking a dose of medicine: 
 good for me, perhaps, but still sometimes difficult to take.
 

 
Now, the new format feels like a vitamin:
desired tool to keep myself healthy, proactive (and yes, sometimes a little hard to take as well)
 

 
So, with a re-designed Magazine, a bright and Shiny new Orchid forum design (looks GREAT!) 
and a few hundred hours in the studio, what gorgeous creations will you bring to the table? 
I don’t know about you, but I am excited by our possibilities......
 

 
Happy ‘Smithing!
 
Maureen Brusa Zappellini
 
http://cosmosmoon.etsy.com